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by Darigan

Thinking about attending life drawing

December 9, 2010 in Drawing, Uncategorized

What is Life Drawing?
Life Drawing, also called Figure drawing is drawing the naked human form. Life Drawing has always been the cornerstone of artistic training, but is also popular with amateur as well as professional artists. The figure presents many technical problems – form, structure, foreshortening and so on – so is wonderful training, and also allows the artist to display their skill. But the nude figure also allows the artist to express a great deal about human nature. Stripped of the cultural baggage of clothing, the nude figure can express every aspect of humanity, from the heroic to the pathetic. So, when you attend a life drawing class, you are participating in a centuries-old artistic tradition.

Overcoming Shyness
There’s no need to feel shy or embarrassed at your life drawing class. Professional models are used to posing nude and being observed by the artist.. Poses should always be tasteful, You’ll find that you are soon so focussed on the problems of drawing the body as a collection of lines or values that you’ll forget any awkwardness about nudity.
What You’ll Need
You will need a drawing board ( also an easel if you have one if not you can improvise with a chair), and paper (usually large, inexpensive newsprint – for starters), charcoal, a eraser, and perhaps bulldog clips to hold your paper – but this may vary depending on the class, so check materials requirements when you enrol. Make sure you have plenty of paper. Its also handy to have some wipes or a rag to clean your hands, Some classes will provide easels.
Your First Class
Make sure you arrive on time to make the most of your class, and so you don’t disturb others. You’ll also feel more relaxed if you have time to chat with the others. Most life drawing classes commence with some quick warm-up sketches. Then they may do some longer five to fifteen minute poses. You may find that you are unable to complete a drawing at first. You’ll soon learn how much detail you can include for different length poses.
After the model has had a break, you will probably do some longer poses – thirty minutes or longer. Sometimes a class may do a very long pose, with a break in the middle.
Showing Your Work
Don’t be shy about showing your work, no matter how terrible you think it is you may get suggestions on ways to improve.
Remember than everyone was a beginner once, and that you can all learn from each other’s mistakes – and often even a beginner’s work has many wonderful qualities that can be enjoyed, as well. Try to offer constructive thoughts about other students’ work.

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by Darigan

Life drawing and Alberto Giacometti

August 13, 2010 in Art, Artists, Drawing, Painting

Life drawing at its core is about the study of the human figure, its structure and its ability’s, the ability to move in such a variety of ways and to make the most interesting of shapes, the tension of the muscles and the power they contain, and one could spend a very fulfilled lifetime studying this alone because the human physical structure is an amazing design! (Whoever’s responsible for it?) Its dynamics and it’s grace of movement and of course its beauty, real beauty that goes far beyond the superficial beauty that can be just a reflection of the glamour of the modern world. But the study of the human figure is ever timeless and can always be modern in the hands of the artist with a vision and a sense of their time and their place because without a sense of this time and place “timeless” cannot be achieved and surely in the long term this has to be the aim of the figurative artist, to portray humanity and I know its an over used expression but I cannot think of a better term than “to portray the human condition” Few if any have done this better than the Swiss born sculptor Alberto Giacometti.

Alberto Giacometti (born 1901 died 1966)

Painter, sculptor, print maker

In 1934 Giacometti took it into his head to try and do some figure compositions.

“I needed to make quickly I thought one or two studies from life just to understand the construction of a head and of the whole figure, and in 1935 I took a model for a study that should take a couple of weeks and then I would carry out my compositions. I went on working from the model all day everyday from 1935 to 1940, nothing was as I had imagined, a head became for me an object that was completely unknown and without dimensions”

He mainly worked from two models his brother Diego and a female professional model. For the last thirty years of his life he confined his sculpture to three themes, a head, a male figure walking and a female figure standing, they are self contained and withdrawn and each of them portray some of the finest examples of human existence on this planet.

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by fiona

Lovely line

October 22, 2009 in Drawing

kevin_lewis1

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by fiona

Pen & ink wash

October 22, 2009 in Drawing

johngallagher3

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by fiona

Soft Light

October 21, 2009 in Drawing

Michael McGuire

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by fiona

It’s mine!

October 15, 2009 in Drawing

Charcoal by John CullinanThe artist is John Cullinan

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by fiona

Turning Japanese

October 7, 2009 in Drawing

A quick sketch.

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by fiona

Thoughtfull

October 6, 2009 in Drawing

ThoughtfullThe female thinker!!

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